![]() ![]() French people are lucky to live in a country where people are happy. This is the case for a French man, who said: “We’re happy to live in France, where you can achieve anything you want. Others speak more generally about the opportunities available where they live. Overall, I am content,” and a woman in Taiwan who stated, “The public health insurance system is good medical service is convenient.” I am grateful that I can travel the globe and that we have the euro. ![]() For some, this includes expressions of appreciation for their country’s health care system, such as one German woman who said, “I am grateful for our health care system. These references include mentions of their country, the social services available, the state of their country’s economy and any patriotic or nationalistic sentiments. Look at The Bigger Picture Show program schedule for further details.When asked about where they find meaning in life, some people bring up the area where they live or their broader society and public institutions. She makes a living with teaching at the sculpture departments all over the The Netherlands aside and working at various departments at the National Opera and Ballet of Amsterdam. In 20 she was a participant at residencies in Norway, and in USA: Skowhegan 2007, I-Park 2011/2013, Sculpture Space 2015 and Art Omi 2016. ![]() She has had shows in, Germany, France, Slovenia, Belgium, Ireland, Scotland, Switzerland, South Korea and USA. After graduating in Sculpture at the Art Academy in 1997 she did an internship in Belgium with the artist Jan Fabre. Linda Molenaar works (sculptures and performances) and lives in The Nederlands, Amsterdam and graduated in 2009 a 2 year performance master called DasArts. During the four days of the exhibition Linda Molenaar will perform both pieces one time per day. Molenaar’s animals are alive and carry out actions we recognize from every day a clear connections to the diptychs in GRID. Conceptually both artists experiment with themes concerning human nature. P hysically tough, Molenaar’s performances relate to those of Matthew Barney (1967), although she rather chooses an intimate transformation than a confrontation. In Albino and Old Horse there is no question about the fact whether Linda Molenaar’s performances relates to the human body, even when she literally crawls under the skin of an animal. Music and image go hand in hand the music follows the dynamics of the images and raises to great height.Īlbino and Old Horse, Performances by Linda Molenaar Just like in GRID, number 8 plays an important role. The music is next to cerebral and carefully calculated also full of emotion. This part of the performance will be developed with theater-maker and performer Noortje Braat. Basically, the vocalists sing without words, without literal meaning. The 8 performers on stage are visible, mobile and have a theatrical function. Auditory links are connected to the variety of images and stories of GRID: musical commentary that not only outlines details but also reveals a bigger picture. The composition passes steadily along the monumental work in about 48 minutes, visually accompanied by an in and out zooming spotlight.Įach diptych has its own motif that is part of the overall composition with GRID’s underlying layers of meaning providing the structure. Music for an Exhibition by Egon Kracht and Noortje BraatĮgon Kracht writes acoustic music for an instrumental quartet and four vocalists, that reflects on the 32 diptychs in GRID. ![]()
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